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Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A frustrated son tries to determine the fact from fiction in his dying father's life.
Shortly after, Edward is conscripted into the army and sent to fight in the Korean War. He parachutes into the middle of a North Korean military show, steals important documents, and convinces Siamese twins Ping and Jing to help him go home in exchange for making them celebrities.
Upon returning home, Edward becomes a travelling salesman and crosses paths with Winslow. He unwittingly helps Winslow rob a failing bank with no money and later inspires the poet to work on Wall Street.
Winslow becomes a wealthy broker and repays Edward with ten thousand dollars, which Edward uses to obtain his dream house.
In the present, Will investigates the truth behind his father's tales and travels to Spectre. He meets an older Jenny, who explains that Edward rescued the town from bankruptcy by buying it in an auction and rebuilt it with help from his friends with the Calloway Circus.
Will suggests that Jenny had an affair with his father, but she reveals that although she loved Edward, he remained loyal to Sandra.
Will returns home but learns Edward has had a stroke and stays with him at the hospital. Edward wakes up but, unable to speak much, asks Will to narrate how his life ends.
Though struggling, Will tells his father of their imagined daring escape from the hospital to the nearby river, where everyone from Edward's past is there to see him off.
Will takes Edward into the river where Edward transforms into the giant catfish and swims away.
A satisfied Edward dies, knowing Will finally understands his love for storytelling. Will, finally understanding his father's love for life, passes on Edward's stories to his own son.
The reconciliation of the father-son relationship between Edward and William is the key theme in Big Fish. Wallace found the "charming" character of Edward Bloom similar to his father, who used charm to keep his distance from other people.
Wallace explains: "The father's quest is to be a big fish in a big pond, and the son's quest is to see through his tall tales.
Screenwriter John August identified with Will's character and adapted it after himself. In college, August's father died, and like Will, August had attempted to get to know him before his death, but found it difficult.
Like Will, August had studied journalism and was 28 years old. In the film, Will says of Edward, "I didn't see anything of myself in my father, and I don't think he saw anything of himself in me.
We were like strangers who knew each other very well. I tried to get in touch with him, to have, like in this film, some sort of resolution, but it was impossible.
Religion and film scholar Kent L. Brintnall observes how the father-son relationship resolves itself at the end of the film.
As Edward dies, Will finally lets go of his anger and begins to understand his father for the first time:. In a final gesture of love and comprehension, after a lifetime of despising his father's stories and his father as story-teller, Will finishes the story his father has begun, pulling together the themes, images and characters of his father's storied life to blend reality and fantasy in act of communion and care.
By unselfishly releasing the anger he has held about his father's stories, Will gains the understanding that all we are is our stories and that his father's stories gave him a reality and substance and a dimension that was as real, genuine, and deep as the day-to-day experiences that Will sought out.
Will comes to understand, then, that his father—and the rest of us—are our stories and that the deeper reality of our lives may, in fact, not be our truest self.
In September ,  August convinced Columbia Pictures to acquire the film rights on his behalf. Spielberg planned to have DreamWorks co-finance and distribute Big Fish with Columbia, and planned to have filming start in late ,  after completing Minority Report August recalls: "There was this thought that there wasn't enough for Jack Nicholson to do in the movie so we built new sequences.
Pieces got moved around, but it wasn't a lot of new stuff being created. It ended up being a really good intellectual exercise in my explaining and defending and reanalyzing pieces of the story.
With Spielberg no closer to committing, August, working with Jinks and Cohen,  considered Stephen Daldry as a potential director.
Burton had never been particularly close to his parents, but his father's death in October and his mother's in March affected him deeply.
Following the production of Planet of the Apes , the director wanted to get back to making a smaller film. Burton enjoyed the script, feeling that it was the first unique story he was offered since Beetlejuice Burton also found appeal in the story's combination of an emotional drama with exaggerated tall tales, which allowed him to tell various stories of different genres.
Zanuck also had a difficult relationship with his own father, Darryl F. Zanuck , who once fired him as head of production at 20th Century Fox.
Burton had previously worked with Nicholson on Batman and Mars Attacks! In order to depict Nicholson as the young Bloom, Burton intended to use a combination of computer-generated imagery and prosthetic makeup.
The director then decided to cast around for the two actors in question. Burton later compared McGregor's acting style to regular colleague Johnny Depp.
You can get your teeth into it. Standard American is much harder because it's more lyrical. Her prosthetic makeup for The Witch took five hours to apply.
Burton personalized the film with several cameos. While filming in Alabama, the crew tracked down Billy Redden , one of the original banjo players from Deliverance Redden was working as a part-owner of a restaurant in Clayton, Georgia , and he agreed to reprise his role in the Spectre vignette.
As Edward Bloom first enters the town, Redden can be seen on a porch plucking a few notes from " Dueling Banjos ". Follow the directions on your screen to remove the Big Fish Games app from your computer.
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