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Maria Konnikova Navigation menu VideoHow a writer went from cards novice to poker champion in under two years A confidence artist is only too happy to comply — and the well-crafted narrative is his absolute forte. She graduated magna cum Stargames Benutzername Vergessen from Harvard University, where Wettbüro Eröffnen Startkapital studied psychology, creative writing, and government, and received her Ph. Think you've heard it all? No matter: you will have other opportunities, and if you Poker Augsburg thinking correctly, eventually it will even out. Trust, sympathy, persuasion. Lottószámok zum Inhalt Video Autorenporträt Rezension. Wohl niemand ist berühmter für seine Beobachtungs- und Kombinationsgabe als Sherlock Holmes. Täuschend echt und glatt gelogen Maria Konnikova 0 Sterne. James Adonis. Maria Konnikova is the author of the Times best-seller “ Mastermind: How to Think Like Sherlock Holmes,” which was nominated for an Agatha Award for Best Nonfiction, and “ The Confidence Game,”. That’s one tangible idea I got from The Biggest Bluff, the wisdom-packed new book by psychologist and author Maria Konnikova. As a complete novice she goes on a quest to learn how to play poker as. Two generations later, Maria Konnikova entered this eternal conundrum via an improbable path half chosen and half chanced into, emerging with insights into the paradoxes of chance and control, which neither strand alone could have afforded. The game of life: Maria Konnikova on what she’s learned from poker Down on her luck and fearful for the future, the writer decided to chance her arm. She soon found it was the perfect gameplan. Maria Konnikova is a Russian - American writer and psychologist. She has a B.A. in psychology and creative writing from Harvard University and a Ph.D. in psychology from Columbia University. She has worked as a television producer, written for several magazines and online publications, and authored two New York Times best-selling books.
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Books By Maria Konnikova. The New York Times bestseller! But she knew her man: a famously thoughtful and broad-minded player, he was intrigued by her pitch that she wasn't interested in making money so much as learning about life.
She had faced a stretch of personal bad luck, and her reflections on the role of chance had led her to a giant of game theory, who pointed her to poker as the ultimate master class in learning to distinguish between what can be controlled and what can't.
And she certainly brought something to the table, including a Ph. So Seidel was in, and soon she was down the rabbit hole with him, into the wild, fiercely competitive, overwhelmingly masculine world of high-stakes Texas Hold'em, their initial end point the following year's World Series of Poker.
But then something extraordinary happened. Under Seidel's guidance, Konnikova did have many epiphanies about life that derived from her new pursuit, including how to better read, not just her opponents but far more importantly herself; how to identify what tilted her into an emotional state that got in the way of good decisions; and how to get to a place where she could accept luck for what it was, and what it wasn't.
But she also began to win. And win. In a little over a year, she began making earnest money from tournaments, ultimately totaling hundreds of thousands of dollars.
She won a major title, got a sponsor, and got used to being on television, and to headlines like "How one writer's book deal turned her into a professional poker player.
But in the end, Maria Konnikova is a writer and student of human behavior, and ultimately the point was to render her incredible journey into a container for its invaluable lessons.
The biggest bluff of all, she learned, is that skill is enough. Bad cards will come our way, but keeping our focus on how we play them and not on the outcome will keep us moving through many a dark patch, until the luck once again breaks our way.
Every Time Jan 12, Popular science Psychology Literature. Committee for Skeptical Inquiry. Retrieved 19 May Event occurs at to Retrieved 6 June The Scientist.
LabX Media Group. Retrieved 30 March The New Yorker. Retrieved 18 September Retrieved 7 June Retrieved 4 June Shelf Awareness.
Retrieved 31 May Columbia Journalism Review. But was it? Maybe it had been my fault for failing to listen to my mother and sneaking out to play on the balcony so many years ago.
Maybe my two-year-old self was to blame. Whether it was pure chance or not, it sucked. What can a deck of cards really teach you about the uncertainty of existence?
But poker, it turns out, is a game unlike most others. Like the world we inhabit, it consists of both. At its heart, poker is a game of incomplete information.
Anyone can get lucky — or unlucky — at a single hand, a single game, a single tournament. In the end, though, luck is a short-term friend or foe.
Skill shines through over the longer time horizon. Provided, of course, you survive long enough to get there. Life is messy. Every day consists of making the best decisions you can from information that can never be complete.
Poker is a way to conceptualize the mess, clean its parameters just enough to allow you to grapple with uncertainty with some semblance of control.
As I learned more about the game, I began to genuinely wonder if, in poker, I could finally find a way to overcome my all-too-human inability to disentangle chance from skill in the morass of daily life and instead learn to master it.
For two years I spent almost every waking moment in the game. I travelled to the edges of reason, swapping the hallways of Manhattan magazines for the gambling dens of Macau.
To the me of a year earlier, my life would look entirely unrecognisable. Who is this person spending eight months of the year on planes and in casinos?
Who is this person, poring over strange matrices of cards on her computer, talking about game theory this and expected value that, instead of nodding her head as a scientist explains the latest theory about the human mind and talking through the ideal structure of a sentence with her editors?
A book of poker strategy? I learned about the intricacies of my own psyche. I learned about the pitfalls of my decision making. About the way I let people bully me because I was afraid of seeming anything other than nice.
But what I learned above all is how to rise above the noise: how to embrace uncertainty rather than fear it, reframing the very thing that once petrified me — my utter lack of control over certain key elements of my life — into something that I could instead use as a source of power.
The audience of proud parents and siblings raved. You know how the story ends. The chairs slid apart. The room erupted.
It was not how Maria had envisioned her first theatrical production.